Connect with us


Payback lands on ITV with thrills and blood spills in episode 1



Payback started on ITV this Wednesday with episode 1, and Peter Mullan was deliciously menacing as villain Cal Morris. Frankly, we could watch him ALL day, every day. We just wouldn’t want to get on the wrong side of him…

Which is exactly what Morven Christie’s character Lexie Noble unwittingly did in this new thriller. The actress proved she’s just as good playing the role of the victim, two years after leaving her role as DS Lisa Armstrong in The Bay.

Viewers were introduced to Lexie, who seemed to have an idyllic family lifestyle in the suburbs of Edinburgh. However, within minutes of the show starting, her husband was dead.

Turns out Lexie’s husband Jared had been laundering Cal Morris’ illegal earnings on a vast scale… But who killed him and why? Here are all the burning questions we have after watching episode 1 of Jed Mercurio-backed thriller Payback.

***Warning: spoilers from episode 1 of The Bay on ITV ahead***

Payback promo shot for ITV
Payback kicked off with episode 1, starring Morven Christie as Lexie Noble, Peter Mullan as Cal Morris, and Prasanna Puwanarajah as DC Jibran Khan (Credit: ITV)

Payback episode 1 on ITV: Who killed Jared and why?

At first, Jared’s death looked like a random act of violence. After leaving his local newsagents, he appeared to come between two sets of rival thugs – all hooded, all impossible to identify. A fight ensued, in which accountant Jared was stabbed to death.

As wife Lexie found him bleeding out on the pavement, viewers saw so-called restauranteur Cal Morris (Peter Mullan) receive the news that Jared had been killed. So, we know Cal didn’t kill him. Or at least, we think he didn’t.

So who did? We know Jared was working for Cal, whether voluntarily or under duress. He was shifting large amounts of money of the crime lord. So was Jared’s death an attempt to get back at Cal?

With Jared dead, £2.5million of Cal’s money is in limbo. Jared’s thought to be the only one with the access to the Maltese account with Cal’s funds. So there’s no reason for Cal to want him dead.

Cal himself said: “Somebody is screwing with me. Somebody stabs my accountant, and then my deal falls through?”

Meanwhile, the cops suspect it was premeditated, by someone with a reason to want Jared dead.

Who is the most likely culprit?

Payback episode 1 on ITV left us with more questions than answers, which is exactly what a good thriller should do. Let’s make it clear, we trust no one at this point.

However, there are a few characters who seem shadier than most. Anybody else fancy Lexie’s solicitor friend as a suspect? He seemed to know an awful lot about Jared’s finances…

Cal’s nephew Malky, played by the brilliant Steven Mackintosh, is also top of our ‘dodgy’ list. And don’t get us started on the new au pair Doris. If she’s not involved, then the scriptwriters really have got us questioning our every thought!

Malky and his uncle Cal in Payback
Malky and his uncle Cal in Payback (Credit: ITV1)

Payback episode 1 on ITV: Does Lexie know more than we think?

At first, we believed Lexie knew nothing of her husband’s involvement in handing dirty cash. But she was the partner in his firm… Okay, so she does seem like an innocent bystander in all this.

But with a passport in her name arriving through the post, she’ll certainly look guilty to the cops!

Was Jared planning to double-cross Cal?

We know Jared liquidated the family’s savings just months before he was killed. He also remortgaged the house. He’d failed to pay the school fees for their daughter Esme’s fancy private school, too.

All of this at the same time as taking someone for fancy dinners, and hotel stays. He even bought someone some fancy sapphire earrings.

Police discovered that Jared had booked a flight to Miami for himself and a Sarah Blaine. Nope not a mistress though – the passport proved he was planning to run away with his wife Lexie. She just didn’t know it yet. Was Jared running for his life, or planning to steal from his boss Cal?

Lexie's idyllic life was turned upside down in Payback episode 1
Lexie’s idyllic life was turned upside down in Payback episode 1 (Credit: ITV1)

Payback episode 1 on ITV: Why doesn’t Lexie just give Cal what he wants?

Cal wants what Lexie (Morven Christie) is hiding – namely the accounting ledger he had hidden in the cellar of the house. He’s a thug, who has already implied a threat to her children…

So why doesn’t she just hand over everything she’s found and beg to be left alone? That’s what we’d do!

Read more: Jed Mercurio teams up with Morven Christie for Payback on ITV1 – and here’s 5 reasons to watch thriller

Payback episode 2 airs on Wednesday, October 11, 2023 at 9pm on ITV1. It will be available to stream in full on ITVX and STV Player.

What did you think of Payback episode 1 on ITV? Leave us a comment on our Facebook page @EntertainmentDailyFix.

Helen Fear has been writing about all things entertainment for more than two decades, starting as a TV reviewer at Time Out in the (whisper it…) 90s. She has also worked for the Daily Express, Closer, OK! and Reveal, to name but a few! When Helen’s not writing about TV, she’s usually watching it – current favourites include Line Of Duty, Killing Eve, The Handmaid’s Tale and Big Little Lies. 

Source link

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *


Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.



” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

Continue Reading


Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.



Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

Continue Reading


Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.



Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

Continue Reading


Copyright © 2023 Dailycrunch. & Managed by Shade Marketing & PR Agency