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Channel 4 viewers infuriated over Partygate: ‘I will never forgive’



The Partygate docudrama aired on Channel 4 last night and viewers were left infuriated online.

The show told the story of the Covid-19 pandemic from inside 10 Downing Street as staff were accused of breaking lockdown rules and guidance with parties.

It mixed real news footage with dramatisations of the alleged parties which took place at Downing Street during the lockdown.

Staff members collecting booze during Covid pandemic in Partygate on Channel 4
Partygate aired on Channel 4 last night (Credit: Channel 4)

Partygate on Channel 4

Jon Culshaw starred as Boris Johnson, Prime Minister at the time. Meanwhile, Craig Parkinson, Ophelia Lovibond, Charlotte Ritchie, Rebecca Humphries, Kimberley Nixon and Phil Daniels all had roles.

During the show, footage was shown from hospitals at the height of the pandemic. It would then flip to a dramatisation from inside Downing Street when gatherings were allegedly being organised despite social distancing rules being in place.

Compelling, heartbreaking, infuriating and perfectly crafted drama.

One dramatised scene saw two staff members going to the shop to pick up some booze for a gathering. One staff member asks her colleague: “Are we having a party?”

Ophelia Lovibond’s character, special advisor Annabel D’acre, replies: “No, just socially-distanced drinks.”

Members of Downing Street in Partygate on Channel 4
The show showed dramatised scenes (Credit: Channel 4)

Another dramatised scene shows members of Downing Street doing karaoke. Other scenes saw real life people showing the sacrifices they made during the pandemic. One woman showed her friends outside of her home having an actual socially-distanced gathering as she wore a mask and gloves.

In another scene, a woman called Emma Jenkins spoke about losing her gran during the pandemic. She told the camera: “Being told to stay at home. I remember seeing Boris saying, ‘You must stay at home.’ I couldn’t go and see her.

“My gran died of Covid she caught in a care home. She died alone.”

Viewers watching Partygate were both heartbroken and infuriated. They shared their thoughts on X – formerly known as Twitter.

Woman telling story on Partygate on Channel 4
Heartbreaking stories were told during the show (Credit: Channel 4)

Reaction to Partygate

One person said: “My mum died alone. She didn’t have the funeral she deserved and the funeral we needed. Whilst these monsters partied. #Partygate.”

Another wrote: “Compelling, heartbreaking, infuriating and perfectly crafted drama. It brings it all back how much ordinary people sacrificed while these amoral toffs shamelessly partied on #Partygate.”

Someone else tweeted: “Watching #Partygate brought it all back. Like thousands of others my mum died of Covid: Christmas eve 2020, in a nursing home, alone because we weren’t allowed to visit.”

Meanwhile, another person added: “My mum died alone in hospital, in 2020, on the day I was finally going to see her after months apart…there was no family members present… I will never ever forgive and never ever forget.”

Boris Johnson talking to Downing Street staff in dramatised scene for Partygate on Channel 4
Viewers were infuriated and heartbroken watching the show (Credit: Channel 4)

What else was said?

Another said: “My mum died alone, fighting for breath. I couldn’t hug my children at her funeral. There were just 6 of us there. We all went home alone. My wife couldn’t go to her son’s wedding. There are no words to convey how much I despise Boris Johnson. Thank you @Channel4.”

Someone else tweeted: “Steaming at #Partygate this was all at a time when I couldn’t go to a friend’s funeral & my nan was dying alone in a care home, disgusting and shameful.”

Read more: ‘We’ve been used and well and truly exploited’: DIY SOS’ biggest upsets over the years

Another said: “Well done to @Channel4 for showing this powerful prog – so much anger, sadness brought back; while they partied the UK was dying.”

It’s brought up a lot of painful memories #Partygate,” another viewer admitted.

Someone else wrote: “It was heartbreaking to watch, made me really cry.” Finally, another commented: “Gosh, these real-life stories really bring home how devastating the pandemic was for so many people. Heartbreaking.”

Partygate is available to watch on Channel 4 on demand now.

Did you watch the show? You can leave us a comment on our Facebook page @EntertainmentDailyFix and let us know.

Rebecca started her career at Entertainment Daily five years ago. She is now an Associate Editor for Showbiz. She has an encyclopaedic knowledge of celebrity household names and TV, including entertainment shows and daytime television. She also works on delivering the latest news surrounding the Royal Family.

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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.



” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.



Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.



Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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