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Who plays Mason in Coronation Street? Luca Toolan has a well-known dad

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Coronation Street fans have recently met Mason Radcliffe as Luca Toolan joins the cast to play the newest bad boy in town.

Mason has appeared in a small scene before when he made fun of Ruby Dobbs earlier in September. However, now he’s set to be at the centre of a major storyline this autumn.

As Mason begins to influence Dylan Wilson and bully Liam Connor things are set to get serious.

But away from the cobbles, Mason actor Luca feels “lucky” to be part of the Corrie cast in his first TV role. However, despite making his TV debut on Coronation Street, he’s no stranger to the spotlight – and has a very well-known dad.

Coronation Street newcomer Luca Toolan as Mason Radcliffe with Liam McCheyne as Dylan Wilson
Mason and Dylan are about to cause a lot of trouble (Credit: ITV)

Who is Mason Radcliffe on Coronation Street

Bully Mason is in Year 11 at Weatherfield High. He’s taken Dylan under his wing and together they are giving Liam a hard time. Though it’s clear Mason is the ring leader.

After Liam ends up skipping school and vaping to impress Mason, he has an asthma attack. Liam is taken to hospital where Maria is fuming with her son for taking such a risk.

Meanwhile, Gary knows the Radcliffe family and is soon telling Maria they are so notorious they need to keep Liam away from Mason.

However, as the bullying intensifies both pupils and parents will go head to head. But will Sean, Maria and Gary find a way to work through this for the sake of their sons? The storyline is set to run for at least six months so we’ll get used to Mason being on our screens.

Mason Radcliffe played by Luca Toolan Coronation Street cast shot
Corrie is 19-year-old Luca’s first TV job (Credit: ITV)

Who plays Mason in Corrie?

Mason is played by Luca Toolan. He is 19 years old and this is his first proper TV job, however he has appeared in short films too.

Luca’s dad is in fact in the industry himself. Mike Toolan is a well-known radio DJ. He presents the drivetime show on Hits Radio alongside former Emmerdale star Gemma Atkinson. Though she’s currently on maternity leave and Corrie alumni Brooke Vincent has stepped into her shoes.

Brooke, who played Sophie Webster on the soap, has even given Luca some advice, saying on the radio show yesterday: “Luca, you are going to have a ball, I can already see it, it’s such a nice place to work. The dinners are always nice, the canteen is amazing… that’s the best thing! If it’s got good coffee, and good food, and good people Luca, you’ll always want to go back!”

Luca on his Corrie role

When Luca got the part in Corrie, he says the first person he called was his dad. Luca hadn’t even told him he was auditioning before revealing he’d been cast.

“The first person I rang was my dad,” Luca said. “He was just in complete shock. He knows how much of a big deal it is and understands how lucky I am to be in the position that I am. 

“I also rang my Grandma as she is a massive Corrie fan, she didn’t believe it and thought I was pulling her leg!”

Of his character, Luca added: “He’s a very angry and disturbed soul. People are like that for reasons. Hopefully in the future, we might be able to explore a little bit more of why he’s become the way he’s become.”

He also revealed Corrie “just feels like a family, everybody’s so nice” and that it’s “the perfect place to work”. 

Read more: Coronation Street who’s leaving in 2023?

Coronation Street usually airs on Mondays, Wednesdays and Fridays at 8pm on ITV.

For all the latest soap spoilers, news and chat come and join us at Soap Daily now! 

Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think.


Carena Crawford has been in the soap game for 15 years, working on magazines including All About Soap, Inside Soap and Reveal. She’s pulled pints in the Rovers, the Woolpack, The Vic, and The Dog, interviewing the landlords, landladies and most of the regulars, and has been known to predict more than a few upcoming storylines.






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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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