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The scandal-hit private lives of the hosts and judges

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The Great British Bake Off 2023 is back for another episode tonight as cakes, innuendos and delicious treats make a comeback.

Noel Fielding and Alison Hammond will be back to host while Prue Leith and Paul Hollywood judge.

But have you ever wondered about the private lives of the show’s stars? Some are full of scandal…

Bake Off host Noel Fielding smiling outside studios
Noel Fielding has had his share of controversies over the years (Credit: SplashNews.com)

Great British Bake Off 2023: Noel Fielding

Noel, now 50, has had his fair share of scandals in the past from drug troubles to rumours surrounding Pixie Geldof.

According to The Sun, on taking drugs in the past, Noel reportedly said in 2009: “I took too many drugs and was hanging out with the wrong people. MDMA is too strong for me. I took pills on the rave scene and didn’t like them at all. It was like my birthday every day. All these people saying, ‘Do you want drugs?’

“You don’t really notice but gradually you end up out until 4am instead of 2am and then it would become 6am and 7am. Coke is always available if you want it.”

He stopped taking drugs in 2006, saying he feared he wouldn’t “come back from this”.

Meanwhile, in 2007, Noel hit headlines when he was allegedly spotted kissing Pixie Geldof in a club when she was 16 and he was 33.

According to The Sun, Noel said around that time: “There’s a chemistry between us and we liked each other but she’s so much younger. When I first met her I had no idea who she was and that she was so young. It caused a lot of problems because her dad wanted to kill me obviously.”

However, Noel denied that he and Pixie ever dated.

Bake Off star Prue Leith smiling at event
Prue faced backlash after admitting a kitten incident (Credit: SplashNews.com)

Prue Leith’s kitten controversy

Another of the Bake Off stars who has had controversy surrounding her is Prue.

In her 2022 book, I’ll Try Anything Once, Prue recalled a time when her mother made her drown a litter of kittens while growing up on their farm in South Africa.

Prue said of the incident: “My mother and I, then 11, had just drowned some kittens… and for weeks I imagined those poor dead creatures. Too many kittens was a frequent occurrence and there had come a day when my mother, unable to find homes for yet another litter, decided to drown the latest batch.”

Prue said her “protests were met with a firm, ‘Darling, it has to be done. They are only a few hours old. They will hardly know it’s happening’”. She added: “I held the bag under the water until the last kitten had stopped mewing.”

Speaking about the backlash she received following the revelation, Prue said she became “public enemy number one”. She told People: “It was so awful because people were saying things like, ‘I’ll never watch Bake Off again.’

“I don’t know how it happened, but one day my mother said, ‘We have to drown these little kittens.’ And I guess perhaps she thought it would be a life lesson for me. It was the most traumatic, awful, horrible experience.”

Paul Hollywood looks serious on Loose Women
Paul has had a somewhat controversial love life (Credit: ITV)

Paul Hollywood’s love life

Bake Off judge Paul has also had his share of some controversy surrounding his love life. The star reportedly married his partner Melissa Spalding in Cyprus in September.

Read more: GBBO’s first-ever deaf contestant defended after she’s cruelly trolled by viewers

Paul was previously married to Alex Hollywood. They split in 2013 after he was accused of having an affair with his American Baking Competition co-star, Marcela Valladolid. At the time, Paul called it “the biggest mistake of my life”.

Paul and Alex reconciled before divorcing in 2017. Following their second split, Alex accused Paul of multiple infidelities during their 20-year marriage.

The Great British Bake Off continues tonight from 8pm on Channel 4. 

Do you enjoy Bake Off? Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know. 


Rebecca started her career at Entertainment Daily five years ago. She is now an Associate Editor for Showbiz. She has an encyclopaedic knowledge of celebrity household names and TV, including entertainment shows and daytime television. She also works on delivering the latest news surrounding the Royal Family.




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Entertainment

Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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