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EastEnders has proved it’s a powerhouse it is with tonight’s episod

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As ITV gears up for Super Soap Week next week, EastEnders took the opportunity to prove it’s a force to be reckoned with with tonight’s episode.

The powerhouse performances from Lacey Turner as Stacey Slater, William Ellis as Theo Hawthorne and Bobby Brazier as Freddie Slater, as well as some superb writing and nods to the past, have cemented the soap’s place at the top of the league right now.

Bravo, EastEnders, bravo.


Theo’s stalking took a very dark turn tonight (Credit: BBC)

What happened in tonight’s episode of EastEnders?

The tension started from the moment the episode opened. Despite spoilers already warning us shocking scenes would air, even if we hadn’t known that, the close up of Stacey’s pained face in the taxi told us something was coming.

As emotions rose throughout, veering between Poor Freddie having confrontation after confrontation, and Stacey vowing not to be scared, it  was obvious this was going to end badly.

Our hearts broke for Freddie as everyone seemed to turn against him for no reason. He did nothing wrong, yet everyone blamed him for something. And given his encounter with his rapist father, he thoroughly believed he was just like him.

Meanwhile, Stacey was desperate not to let Theo win, even though he was lording it round the Square after the courts found in his favour at the Stalking Protection Order hearing. As her family left her alone in the house while they went for dinner at Kat’s we knew something was coming.

Even the tension of her just eating in the dark room while watching the telly was like a horror movie. And that was before Theo broke into the house!

And then he did.

He was crazed, but calm. He terrified us as much as he did Stacey because he was so convincing. It was so clear he could do whatever he wanted and get away with it because of the exterior he presented.

EastEnders' Theo looks pleading
Theo was too convincing (Credit: BBC)

Theo tries to assault Stacey

As he forced Stacey to floor insisting that once he’d had sex with her she’d see they were meant to be together, Freddie came home in the nick of time. He grabbed Theo off Stacey and then turned on his former teacher.

“He was going to rape me,” Stacey sobbed as Theo insisted she wanted it and they were just having a “lover’s tiff”.

But Freddie saw red.

And the best, most genius moment came when Freddie spotted the iron on the side. The very same weapon his mum, Little Mo, used against her rapist (husband Trevor Morgan, not Freddie’s dad Graham Foster) all those years ago, was what Freddie then picked up to get rid of Theo.

What a brilliant – and important – nod to the past.

As Freddie knocked Theo over with the iron before raining punches down on him, Stacey stood horrified in the doorway.

“What have you done?” she cried as the doof doof sounded.

Freddie Slater is furious as she shouts at Theo Hawthorne
Bobby Brazier is brilliant! (Credit: BBC)

Tonight’s EastEnders episode was brilliant

Wow.

From the horror-movie-esc darkness and tension, to the nod to the past and the brilliant writing and performances, EastEnders truly earned it’s recent Best Soap title tonight.

Firstly, Bobby Brazier is an absolute revelation. We’ve all taken him to our hearts as the cheeky chappy, warmed to his light-hearted bants and charm. His bromance with Bobby has long been one of EastEnders’ greatest partnerships (let’s not talk about just why they went and ruined that, shall we). And now he’s proved he can do the drama too. His tortured portrayal of Freddie arguably stole the show.

What a far cry from the genuine delight Bobby is on Strictly at the mo! So now not only are we rooting for him to win that, but we want him to win all the awards too!

It’s no secret Lacey Turner is a safe pair of hands with any huge storyline. And she did nothing to disprove that notion tonight. In fact her ability to switch between strong, feisty Stacey to scared rape victim Stacey was astonishing to watch.

And you have to had it to EastEnders, Theo is a truly creepy villain. He’s so calm and collected, it seems reasonable that everyone believes him, that Elaine took Theo’s side when Freddie kicked off in The Vic and that everyone would believe his version of events with Stacey.

Freddie Slater grimaces as he prepares to punch Theo Hawthorne who has his hand on his chest
The consequences for Freddie look set to be huge (Credit: BBC)

What’s next?

It’s also set up a series of huge stories to come. Very cleverly, it’s drawn Freddie into the plot so we wonder has he killed Theo? Are we to expect a court case? Will Freddie go to prison? And how will he cope with the fact he has attacked someone to that level when all he’s ever tried to be is a gentle soul.

How will Stacey cope with the future now? Will she still live in fear? How will it feel to her knowing Theo is now the victim?

There is so much potential for long-running storylines here and that is what soap is all about; it’s not about one moment and huge stunts and death tolls, it’s about characters and how single moments can impact their lives for years to come.

EastEnders should be congratulated on a brilliant episode tonight.

EastEnders usually airs Monday to Thursday at 7.30pm on BBC One.

For all the latest soap spoilers, news and chat come and join us at Soap Daily now! 

Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think.


Carena Crawford has been in the soap game for 15 years, working on magazines including All About Soap, Inside Soap and Reveal. She’s pulled pints in the Rovers, the Woolpack, The Vic, and The Dog, interviewing the landlords, landladies and most of the regulars, and has been known to predict more than a few upcoming storylines.




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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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