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Will the show return and when?

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As Morven Christie begins a new role in Payback over on ITV1, some of her fans might be wondering if she’ll ever reprise her role as Alison Hughes in series 4 of The A Word…

We’ve had a heartwarming spin-off called Ralph & Katie on BBC One, but fans of The A Word have been left hanging ever since series 3 of The A Word aired back in 2020.

Understandably, fans want more, so here’s what we know about another series.

The cast of The A Word sit together on a sofa on a beach in the lakes in series 3
Do you want another series of The A Word? (Credit: BBC)

Will The A Word return for series 4?

Sadly, BBC One has not yet confirmed if the show will ever return for a fourth series. When we last saw the characters in The A Word, Rebecca had just given birth with the help of her brother Joe.

Maurice (Christopher Eccleston) had also just proposed to Louise – finally! – at the end of the series. The actor previously shared with the RadioTimes that he’d be up for continuing the show for another series.

He said: “I really hope that we do a fourth and a fifth and a sixth. I think there’s an appetite for it, clearly, with the audience, and if you look on Twitter.

“As with everything in television it depends on ratings and decisions at an executive level.”

Come on BBC – Christopher has spoken!

The cast of The A Word stand on a beach as they all smile into the camera
Viewers grew to love the cast of The A Word (Credit: BBC)

The A Word series 4: Why we need another series…

Series 3 ended with so many unanswered questions! Ben spoke to Alison about their relationship, but the two decided they didn’t see a future together. Meanwhile, Paul’s girlfriend Sarah also ended things between them.

With both of them single again, the series ended with the possibility of Paul (Lee Ingleby) and Alison (Morven Christie) getting back together.

Meanwhile, although viewers did not see Louise accept Maurice’s proposal, we last saw Louise with a ring on her finger. We’d love to see the couple get married in The A Word series 4.

Fans also want to see Rebecca’s life as a single mum and more of Joe’s experiences at his school in Manchester. The show had only just introduced Joe’s new friend, Mark, played by autistic actor Travis Smith. Series 4 could explore their friendship – we’d love to see that!

Morven Christie as Alison, Max Vento as Joe and Christopher Eccleston as Maurice in the a word, they stand outside in a park as they walk together, smiling
BBC still hasn’t confirmed if the show will return for a fourth series… (Credit: BBC)

When will the fourth series air?

The last series of The A Word aired in 2020, before the spin-off show Ralph & Katie aired in 2022. The six-part series focused on newlyweds Ralph (Leon Harrop) and Katie (Sarah Gordy) during their first year of married life.

Each 30-minute episode of Ralph And Katie told a different story focused on the domestic challenges faced by the pair, who both have Down’s Syndrome.

In a statement at the time, Sarah said: “It is great to be able to take the character of Katie forward after her exciting journey in series three of The A Word.

“The wedding and the dress was a dream come true for Katie. I am so looking forward to seeing what comes next in Ralph and Katie’s married life.”

Ralph & Katie is not thought to be returning for a series 2, as it was only ever planned to be a one-off.

Fans want another series!

Fans of The A Word have been begging for the show to return with a series 4, to answer all the questions left hanging. The show ended with Paul and Alison breaking up with their respective partners, but will they end up together?

We need a series 4 to finally see them together again!

This fan shares: “I love this drama, all the actors are so authentic and believable plus the script is mind-blowing.

“I really hope there is a series 4. #TheAWord.”

Another fan demanded: “Series 4 of #TheAWord, PLEASE!” 

Series 1-3 of The A Word are available on BBC iPlayer.

Do you want a series 4 of The A Word? Leave us a comment on our Facebook page @EntertainmentDailyFix.



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Entertainment

Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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