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All the signs that these MAFS UK 2023 couples have split

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It’s inevitable that some of the MAFS UK 2023 couples will split up come the end of the series. But the end of the series is a long way away, so we’re not going to know for a while.

Enter social media. Thanks to some digging, we’ve found some signs that these Married At First Sight UK couples have already split up – it’s just they haven’t announced it yet…

Terence and Porscha on MAFS UK 2023
Terence and Porscha have split, I think (Credit: E4)

Have MAFS UK 2023 stars Porscha and Terence split?

There is no chance at all, ever, that Terence and Porscha will still be together by the end of the series. They literally fell out over a spoon. I mean…

Porscha hasn’t exactly hidden the fact that she and Terence aren’t together anymore on Instagram either.

Posting snaps from her wedding last week, Porscha failed to tag her new hubby. Or mention him. At all.

In another post last week, Porscha shared a snap of herself on her wedding day – and if the caption doesn’t hint that they’re not together anymore, then I don’t know what does.

“Watching it back [the show] yes I can see everything you all are pointing out, all the red flags the viewers can see but you must remember at the time I can only see and hear what is being told to me not what is being said to others or behind my back!” she said. Awkward.

Terence, on the other hand, doesn’t have any pictures of Porscha on his timeline at all.

Neither Terence nor Porscha follow each other on Instagram either. That speaks volumes.

Shona and Brad
Shona and Brad’s bubble looks set to burst (Credit: E4)

Shona and Brad

It’s been perfect for Brad and Shona so far. Too perfect. Far too perfect.

However, judging by the trailers for tonight’s episode (Monday, October 2), there is trouble on the horizon for the loved-up couple. The couple look set to fall out after it was revealed that Brad branded his new wife “naive”. (I did say it was too good to be true).

Looking at Shona’s Instagram, you’d be fooled into thinking that all was well and good for the couple. The 31-year-old bride has uploaded a number of loved up snaps with Brad over the last few week. However, dig deeper and all is not as it seems.

Shona doesn’t follow Brad on Instagram. And guess what? Brad doesn’t follow her either.

In fact, Brad doesn’t have a single snap of Shona on his Instagram profile. In fact, he has purposely cropped his wife out of some pictures.

He does follow a number of other brides from the show though…

Thomas and Rozz on MAFS UK 2023
Thomas and Rozz have had a rocky start (Credit: E4)

Rozz and Thomas

Rozz and Thomas are an odd one. I initially thought they wouldn’t last, then I thought they would, but now I don’t think they will.

Things came to a head during Thursday night’s episode (September 28) of the show when Thomas revealed that they had slept together. However, consummating the marriage didn’t seem to ignite the spark the couple were hoping for.

A quick look on Rozz and Thomas’ Instagrams shows that the couple seem to be on good terms, however, I don’t think they’re still together.

Neither can be seen wearing their wedding rings in any of the photos uploaded. Also, judging by Thomas’ Instagram post last week, it doesn’t seem as though things ended happily for them.

The E4 star explained why he was upset during the commitment ceremony. “It’s the situation that upset me, not Rozz. But it wasn’t only me that was upset – so was she. She was honest with me about how she felt. So if you haven’t already, go send @rozzdarlington your love. I’m looking forward to you all seeing how great she is.”

Taking to the comment section, Rozz said: “We will get better at communicating one day. Always appreciating you Tom.”

“And you. I’ll always have your back,” he replied.

Sounds to me like they’re just friends now, which is nice, but a shame that it doesn’t seem to have worked out.

MAFS UK 2023 stars Ella and Nathanial have split for sure…

This one is a given, thanks to Nathanial’s bombshell interview a couple of weeks back. The 36-year-old revealed that he had quit the show early after producers turned Ella into a “monster”.

“I felt I was being strangled and it brought out an ugly side of me. I knew I was going to tear the place down, so I quit,” he told the Mirror.

Nathanial has only posted about Ella once on his profile – praising her for her bravery when she came out as trans to their fellow castmates.

However, he has repeatedly hit out on his story – recently hitting back at claims that his issue with Ella was a “trans issue”.

Nathanial doesn’t follow Ella on Instagram, nor does she follow him. Awkward…

Read more: Pathetic rows to OTT love bombing: The most toxic MAFS UK 2023 couples ranked

MAFS UK continues tonight (Monday, October 2) at 9pm on E4 and Channel 4. 

Leave us a comment on our Facebook page EntertainmentDailyFix and then let us know what you think of this story.





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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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