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What happened in the Stephen Graham film Boiling Point?



The Stephen Graham film Boiling Point was a contender for BAFTA’s

Viewers will find Graham’s character Andy Jones much changed as the new four-part series kicks off on Sunday, October 01, 2023. Those who watched the original film will remember the head chef managing his restaurant Jones & Sons on the busiest day of the year.

So what happened to the upmarket restaurant in London after that fateful day? And how did the film end? Here’s a plot recap of the Stephen Graham film Boiling Point…

***Warning: spoilers from the Stephen Graham film Boiling Point ahead***

Stephen Graham shouting in Boiling Point
Stephen Graham as head chef Andy Jones in the 2021 film Boiling Point (Credit: Netflix)

What is the Stephen Graham film Boiling Point about?

The Philip Barantini-directed film stars Line of Duty favourite Stephen Graham as head chef Andy Jones. The movie, an expansion of a 2019 short film of the same name, was a pressure-cooker drama which totally lived up to its title. The restaurant kitchen environment felt even more intense as a result of it being a one-shot film. Basically, you needed a valium before, during, and after watching.

Viewers met Andy after he discovered that his restaurant had been downgraded from a 5 star Health and Safety rating to 3 stars following an inspection. With no time to regroup, the staff then faced an overbooked evening service. Diners included celebrity chef Alastair Skye, for whom Andy previously worked, and his guest for the evening, a known food critic. No pressure, then!

The next 90 minutes was tense, and often painful-to-watch, as the evening began to unravel. The single-shot approach was perfect for the fast-paced real time effect. The film wanted you to feel anxious. You were there. You were part of the team. And, quite frankly, very relieved when it ended.

What’s the plot about?

The plot, if it can be called that, followed an evening service at the frenetic restaurant, as Andy Jones attempted to please everyone, but ended up pleasing no one.

During dinner service, conflict began to brew in the kitchen and dining room. A black waitress was treated badly by an aggressive guest, while a young pastry chef was revealed to be self-harming. Meanwhile front of house Beth micromanaged her way into Carly’s bad books when she asked chef Carly (Vinette Robinson) to go off-menu by preparing steak and chips to appease a group of “influencer” guests. Later, after a row over undercooked lamb, Beth retreated to the toilets where she burst into tears and questioned whether she could stand the heat of the kitchen.

The real tension came from Andy, who served his former boss Alastair’s table… And viewers learnt that Andy owed him £200,000. Ouch. Andy explained that he didn’t have the money to pay him back. To which Alistair made a counteroffer – to work together again and to split Andy’s 30% ownership of the restaurant with him. Double ouch.

In heart-palpitating scenes, a guest suffered a severe allergic reaction – and Andy was almost definitely the cause after instructing new French chef Camille to use a bottle containing walnut oil as a substitute garnish. An argument broke out, in which chef Freeman – former EastEnders actor Ray Panthaki – called Andy out for his constant lateness and mistakes as well as his apparent alcoholism.

Cast of Boiling Point pictured in a kitchen
Freeman and Andy almost came to blows in Boiling Point the film (Credit: Netflix)

What happened to Stephen Graham’s character in Boiling Point the film?

Towards the end of the short but super-stressful film, Andy revealed to Carly that Alastair wanted him to lay the blame on her for the allergic reaction. A furious Carly quit, leaving Andy alone in his office. We saw him drinking vodka and snorting cocaine. He made an impassioned phone call to his ex-wife. He insisted he would go to rehab and be a better father to their son.

However, despite his best intentions, Andy collapsed. The film ended with the voices of Andy’s staff calling his name… Viewers were left wondering if the pressures of the evening had caused a fatality. All is revealed in the new BBC One four-part series, which picks up several months after the film.

Is Andy Jones alive in the TV series Boiling Point?

Firstly, the TV series picks up about six months after Andy’s collapse. He’s a broken man. A scar down his chest suggests he’s had open-heart surgery. But that hasn’t stopped him drinking and eating junk food. Clearly depressed, he’s no longer working, and harbours much resentment towards his former co-workers.

Carly, who was the sous chef for Jones & Sons, is now the head chef and co-owner of her brand-new restaurant called Point North. And she’s brought most of the team from Jones & Sons with her.

However, we soon discover that she is facing the same problems her predecessor encountered – a stressful workplace, a troubled personal life, and lack of funds. Time for more valium!

Boiling Point the TV series promo shot
The TV series Boiling Point lands in October (Credit: BBC One)

Boiling Point: What did the critics say?

Digital Spy were big fans of Boiling Point, saying: “It’s a compelling and exhausting 90 minutes that barely gives you a moment to breathe, although it will also make you feel very hungry looking at the dishes served up. Things culminate in a heated argument and an ambiguous final shot.”

Mark Kermode, giving the movie four stars for The Guardian, said: “Audaciously filmed in a single take, Philip Barantini’s low-budget drama serves up a brilliant performance from Graham as a chef on the edge.”

The Independent‘s Clarisse Loughrey, also awarding four stars, said: “The film is always on the move, and yet somehow oppressively claustrophobic, as the tension gradually builds to the point of no return suggested by its title.”

Charlotte O’Sullivan of the Evening Standard also gave Boiling Point four stars, saying: “Some films leave you fed up. This one leaves you feeling well fed. Bon appétit.”

Read more: Stephen Graham: Peaky Blinders star’s mixed-race heritage led to troubled childhood

Boiling Point starts on Sunday, October 1, 2023 at 9pm on BBC One.

What did you think of the Stephen Graham film Boiling Point? Leave us a comment on our Facebook page @EntertainmentDailyFix.

Helen Fear has been writing about all things entertainment for more than two decades, starting as a TV reviewer at Time Out in the (whisper it…) 90s. She has also worked for the Daily Express, Closer, OK! and Reveal, to name but a few! When Helen’s not writing about TV, she’s usually watching it – current favourites include Line Of Duty, Killing Eve, The Handmaid’s Tale and Big Little Lies. 

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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.



” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.



Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.



Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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