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The most toxic MAFS UK 2023 couples ranked!



MAFS UK 2023 has gotten off to an explosive start, with so many arguments taking place, red flags being, and far, far too much PDA taking place at the dinner table.

Now we know our couples a bit better, here’s our ranking of the most toxic couples taking part in Married At First Sight 2023. Well, so far, anyway…

Porscha and Terence on MAFS UK 2023
Porscha and Terence got off to such a good start too! (Credit: E4)

Toxic MAFS UK 2023 couples: Porscha and Terence

Do they get any worse than this? Terence and Porscha are a match made in Hell.

Considering Porscha and Terence are 35 and 40 respectively, they’re pretty childish, to be completely honest. They’re also both very stubborn, and both actively sabotaging their marriage.

Porscha, I have to say though, is the reason this marriage is so toxic. She is entitled, completely unwilling to compromise, and seems as though she is constantly looking for drama.

“What have I done to warrant such disdain?” she sobbed last night. Once you watch the episodes back, Porscha, you might realise…

If this couple is still together next week, I’ll be surprised…nay, mindblown. The worst couple on the show by far.

Shona and Brad
It’s too much too fast for these two (Credit: E4)

Shona and Brad

This might come out of left field for some viewers but trust me, Brad and Shona are toxic…or they will be, very, very soon.

It all looks lovey-dovey now, but it screams fake to me. Forced, even.

It’s classic lovebombing. How on Earth can they already love each other and be talking about babies?! They’ve known each other for days! It’s bizarre. Their behaviour during the dinner party was just far too OTT too. It was as if they were desperate for people to know “WE’RE THE BEST COUPLE, LOOK AT US KISSING CONSTANTLY!!!!”. Annoying.

The whole thing isn’t healthy, in my opinion. It’s too deep, too fast, and it’s all going to end in tears, mark my words. Once the “I want to rip your clothes off every second of the day” phase is over, then we’ll see what the couple is really like.

If t’s not toxic already, it will be.

Nathanial and Ella on MAFS UK
Ella and Nathanial are toxic! (Credit: E4)

Ella and Nathanial

We already know this marriage is toxic, thanks to Nathanial’s interview with The Mirror over the weekend.

However, prior to that, we saw that the couple weren’t exactly best-suited when they were arguing every five minutes on their honeymoon.

Ella seems desperate to rush into things, whilst Nathanial doesn’t. However, Nathanial really didn’t react well during the arguments with Ella, storming off twice and exposing her as a stripper too.

It’s been reported that Ella cheats on Nathanial during this series. I mean, if that’s not toxic, then I dunno what is.

Peggy and Georges are a toxic MAFS UK 2023 couple

They may seem to be doing fine now, but there were a lot of red flags being flown during Peggy and Georges’ honeymoon earlier this week (and during their wedding too, actually).

Georges’ behaviour left a lot to be desired, initially. His rather derogatory comments didn’t exactly endear him to viewers, and it seemed to set off some alarm bells for Peggy.

However, Peggy’s behaviour on the honeymoon set off even more alarm bells. Twice, she kicked off and stormed off over the smallest issues. Twice Georges found himself apologising, despite, to be honest, not actually doing that much wrong.

The whole thing just doesn’t seem very healthy – and sooner or later they’ll fall out again.

Honourable mention – Rozz and Thomas

It’s not toxic in the sense that Porscha and Terence is toxic, but things are a little…weird…between Thomas and Rozz.

They just don’t seem to be able to relax around each other, and their awkwardness is making me awkward watching them.

Both are either too shy or too stubborn to make the first move, which doesn’t bode well.

I do have a feeling that this relationship will last, but it’s going to take time to get to a point where they’re comfortable with eachother.

At the moment, I will label this marriage toxic, but only ever so slightly. Give them time.

Read more: Red flag after red flag! The most problematic and unhinged stars from MAFS UK 2023 so far

Married At First Sight UK continues tonight at 9pm on E4 and Channel 4. 

What do you think? Leave us a comment on our Facebook page EntertainmentDailyFix and let us know.

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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.



” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.



Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.



Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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