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Strictly sends home first celebrity

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Strictly Come Dancing has sent its first celebrity home after a dance off between two couples. The judges then picked their favourite, leaving one couple’s dance journey over.

After week one with no vote off, the second week saw the dreaded bottom two announced by hosts Tess Daly and Claudia Winkleman.

But who ended up in the bottom two? And who did the Strictly judges – Motsi Mabuse, Craig Revel Horwood, Anton Du Beke and Head Judge, Shirley Ballas – send home?

Nancy Xu and Les Dennis salute during their Strictly dance routine
Les had found himself bottom of the leaderboard (Credit: BBC)

Who was in the dance-off on this week’s Strictly Come Dancing?

The judges’ scores this week were added to those from last week, and were then combined with the results of the viewers’ votes to decide the lowest scoring two couples facing the dance off.

This weekend, Les Dennis and his partner Nancy Xu faced Nikita Kanda and Gorka Márquez in the dance off. Les then became the first contestant to leave Strictly Come Dancing 2023.

Both couples performed their routines again; Nikita and Gorka performed their Charleston to Single Ladies (Put A Ring On It) by Beyoncé. Then, Les and Nancy performed their Samba to Rock The Boat by Hues Corporation.

After both couples had danced a second time, the judges delivered their verdicts. Craig Revel Horwood chose to save Nikita and Gorka, saying he thought they were “the most improved”.

Motsi Mabuse also chose to save Nikita and Gorka, once again saying they were “extremely better in the dance off”.

Anton Du Beke chose to save Nikita and Gorka. And it was a clean sweep as Head Judge Shirley also agreed.

Tess Daly talks to Les Dennis and Nancy Xu
It was Les’s time to go (Credit: BBC)

Les says goodbye to Strictly after being the first celebrity voted off

When asked by Tess about their time on the show, Les said: “I’ve had the best time, this lady has been amazing, a great teacher, she’s really put me through my paces. I did as well as I could for you, I hope!”

He then continued: “That lot up there, I’m going to miss you so much. I really appreciate and understand the judge’s point of view, thank you so much [to Shirley] for giving me a 10 for entertainment. I hope I’ve entertained, that’s what I came here for. Strictly is the best and the people who put this on, you’re just all amazing!”

Nancy then told Les they had had a journey and she respects him “so, so much”.

Amanda Abbington gives Les Dennis a hug on Strictly
Les’s co-stars gave him a fond farewell (Credit: BBC)

Fans react

Those watching at home were not really surprised by the bottom two. But some were surprised to see Les go home, feeling he added entertainment value.

Amongst many cries of “right decision” some felt sad for Les’s departure.

“Wow didn’t expect him to go that early,” said one. “Wooooooah I am utterly surprised. I genuinely thought he’d be in for weeks,” shared another.

Someone else said: “Wow, that’s actually surprised me thought Les would get through at least one round of voting.”

“Personally quite sad, but definitely the right and fair decision,” agreed one more. “He seems like a nice bloke but it was the right decision. Even a short stay on something like Strictly raises your profile though so I’m sure he will be fine about it!” added another.

Read more: Strictly fans furious with Shirley’s remarks to Nigel Harman

Strictly Come Dancing continues next Saturday (October 7) at 6.20pm on BBC One.

Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think.


Carena Crawford has been in the soap game for 15 years, working on magazines including All About Soap, Inside Soap and Reveal. She’s pulled pints in the Rovers, the Woolpack, The Vic, and The Dog, interviewing the landlords, landladies and most of the regulars, and has been known to predict more than a few upcoming storylines.




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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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