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Stephen Graham and wife Hannah Walters worked together before

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Stephen Graham and his wife Hannah Walters star together in the kitchen drama Boiling Point, which returns with a spin-off series on BBC One in October.

After the success of the 2021 film, most of the cast have returned in the four-part series (which starts on Sunday, October 01, 2023 at 9pm). And husband and wife duo Stephen Graham and Hannah Walters are part of the returning cast.

Fans of the couple will already know that they’ve appeared on screen together before. Totally ignoring the old saying ‘never mix business with pleasure’, they’ve actually appeared in the same drama several times.

Here’s all the times Stephen Graham and his wife Hannah Walters have worked together on screen.

Stephen Graham and wife Hannah Walters at red carpet event
Hannah Walters and Stephen Graham pictured together in 2013 (Credit: INFphoto.com)

Has Stephen Graham ever starred opposite his wife Hannah Walters?

Stephen Graham and his wife Hannah Walters have been married ever since June 2008, and have two children – a son called Alfie and a daughter, Grace. The couple met at the Rose Bruford College of Theatre & Performance, and were friends for years before they got together.

Actor Stephen arguably has the more famous face, thanks to his leading roles in the likes of The Walk-In, Line of Duty, Help, and This is England.

But his wife Hannah is also a respected actress in her own right, having appeared in Malpractice, No Offence, and Whitechapel to name a few.

In fact, the pair have even appeared on screen together multiple times, including films and some top TV shows.

Have Stephen and Hannah appeared together on film?

Stephen, who recently turned 50, and his wife Hannah have appeared together onscreen in multiple films. These include two of the Pirates of the Caribbean franchise – On Stranger Tides in 2011, and Salazar’s Revenge in 2017.

Lancashire-born Stephen portrayed Scrum in the famous Johnny Depp films. In Pirates of the Caribbean: On Stranger Tides, Hannah portrayed an uncredited woman at the Captain’s Daughter. She starred as Beatrice in the later film.

The married couple have actually collaborated on more than 13 projects in total.

Stephen Graham and Hannah Walters in Time
Stephen Graham and Hannah Walters appeared together in Time (Credit: BBC Studios/James Stack)

What TV series are Stephen Graham and wife Hannah Walters in together?

Hannah previously worked on Channel 4’s iconic Shane Meadows film This is England, where her husband also found fame. She played a shoe shop assistant in the 2006 movie. In 2015, she starred in the spin-off series of the same name, this time playing Trudy. Stephen portrayed the menacing Neo-Nazi Combo in both.

Later, the pair reunited on screen in the brilliant BBC One drama Time. In fact, they played husband and wife, Eric and Sonia McNally. The pair are not expected to appear in the upcoming second series, which is set in a women’s prison.

Most recently, the pair are appearing together onscreen in the TV series of Boiling Point, a spin-off from the successful 90-minute film of 2021.

In 2019, Hannah Walters appeared in the short film, Boiling Point, which, two years later, went on to become a feature-length film of the same name. She’s credited as being an executive producer for the film, alongside her husband, Stephen Graham.

Now, the film has spawned a four-part series, which sees the return of Stephen Graham’s character Andy Jones. Hannah portrays his friend, and former employee Emily.

Read more: Stephen Graham: Peaky Blinders star’s mixed-race heritage led to troubled childhood 

Boiling Point the TV series starts on Sunday, October 01, 2023 at 9pm on BBC One.

Are you a fan of Stephen Graham’s work? Leave us a comment on our Facebook page @EntertainmentDailyFix.


Helen Fear has been writing about all things entertainment for more than two decades, starting as a TV reviewer at Time Out in the (whisper it…) 90s. She has also worked for the Daily Express, Closer, OK! and Reveal, to name but a few! When Helen’s not writing about TV, she’s usually watching it – current favourites include Line Of Duty, Killing Eve, The Handmaid’s Tale and Big Little Lies. 




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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

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