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From Emmerdale’s Charles to Corrie’s Billy

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Soap’s got more than it’s fair share of vicars – and many of them are really, really bad.

Coronation Street, Emmerdale and Hollyoaks are all chockablock with religious types to lead their flocks with wise words, supportive gestures and, erm, a few murders, drug habits and other indiscretions!

Only EastEnders seems less fond of the wayward man or woman of the church – though Kathy Beale did once have a steamy romance with vicar Alex Healy waaaaay back in the day!

With Charles Anderson in Emmerdale showing his violent side again tonight, we got to thinking who are the worst vicars in soap. Here’s who we came up with!


Vicar Charles is carrying a lot of guilt! (Credit: ITV)

Charles Anderson in Emmerdale

Charles seemed perfect when he first arrived in the village and stepped in to perform Chas and Paddy’s Christmas Day wedding ceremony. He seemed to be a devoted dad, a dedicated man of the church. Until it turned out he had cheated on his wife when she had post-natal depression.

Charles met his long-lost daughter Naomi, rekindled his romance with old-flame Manpreet, and most recently he struggled with his ex-con dad Victor coming back into his life. So much, in fact, that he set Victor up to be accused of stealing a necklace. Victor had a heart attack and died and now Charles is – unsurprisingly – crippled with guilt!

Emmerdale Harriet
Harriet was hiding a killer secret! (Credit: ITV)

Harriet Finch in Emmerdale

On/off police officer, on/off vicar and on/off surrogate mum to Dawn Taylor, Harriet arrived in Emmerdale to see her distant cousin Edna Birch. A few ill-advised romances with fellow vicar Ashley Thomas, and unlikely love interest Cain Dingle, followed.

But Harriet’s biggest storyline came when corrupt cop DI Malone arrived back in her life. He tormented Harriet – and Dawn – and eventually after a struggle, Harriet whacked him over the head and Dawn finished him off. Dawn’s dad Will helped them hide the body (more than once!). Harriet met her own sorry end during the storm in 2022.

Billy smiling as he looks at Paul on Corrie
Billy’s got a lot on his plate right now (Credit: ITV)

Billy Mayhew in Coronation Street

Another vicar – or archdeacon actually – who seems perfect until you scratch the surface! Not only is Coronation Street‘s Billy happily at ease with his sexuality – which puts him in opposition with the church sometimes (like now, in fact, when he and Paul are planning their wedding, which they’re not allowed to hold in church), but it turned out Billy has a dark backstory!

Billy was a drug addict who was involved in an armed robbery at a petrol station. When he made his getaway, the car smashed into Susan Barlow – Adam’s mum – and she was killed. Billy confessed to Peter Barlow in 2017. A clifftop struggle took place, leaving Billy injured, confined to a wheelchair, and addicted to painkillers. Blimey!

Several years on, Billy’s kicked his drug habit, but life isn’t easy as he’s caring for fiancé Paul after his motor neurone disease diagnosis.

Ashley Thomas in Emmerdale looks dishevelled
Ashley had a dark side (Credit: ITV/Shutterstock)

Ashley Thomas in Emmerdale

Loveable Ashley was at the heart of Emmerdale from 1996 until his death in 2018 from vascular dementia. He was a popular character despite his controlling tendencies and the way he treated first wife (and mum of his daughter Gabby) Bernice – which wasn’t great!

Ashley married Laurel Potts, and the pair had their son Arthur (after losing their baby to cot death and then discovering he’d been swapped in the hospital). But Ashley’s dark side came out when he was found to be violent with his elderly father, Sandy, in shocking scenes. Laurel divorced Ashley when she found out. But the pair were reunited and had little Dotty before Ashley passed away from vascular dementia.

Joel poses as a vicar to come face to face with Pete in Hollyoaks
Joel was a trainee priest (Credit: Lime Pictures)

Joel Dexter in Hollyoaks

Hollyoaks’ Joel Dexter had a violent streak and a big secret, in the shape of his long-lost dad – Warren Fox. He got involved with Brendan Brady and his dodgy goings-on and generally got himself into all sorts of trouble before he left Hollyoaks village. Three years later he returned as a trainee priest!

Though he was tempted to leave the church after falling for Cleo McQueen he didn’t. But when he  started a romance with Goldie McQueen, he converted away from catholicism so the pair could sleep together. Joel’s not a priest now – not surprisingly!

Read more: Complete Emmerdale cast list 2023 – meet them all here!

Emmerdale usually airs on weekdays at 7.30pm, with an hour long episode on Thursdays.

For all the latest soap spoilers, news and chat come and join us at Soap Daily now!



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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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