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Celebrity Race Across the World viewers fume over Alex Beresford

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The popular BBC show Race Across the World is back with a special celebrity edition, but viewers aren’t quite celebrating all the contestants taking part as Alex Beresford has come in for a little bit of stick.

For the first time, the BBC One series has given spectators a celebrity outing, where four well-known names and their plus ones take on the mammoth challenge of embarking on a 10,000km race from Africa to the Arctic – that’s more than 6,000 miles.

Presenter Alex Beresford sat next to his father Noel as they appear on ITV's Good Morning Britain
Weatherman Alex Beresford and his father Noel are racing against other celebrities to win the BBC competition (Credit: YouTube)

Alex Beresford on Race Across the World

Among the celebs taking part this year is broadcaster Alex and his father Noel.

The TV meteorologist and presenter has helmed Good Morning Britain, ITV series All About Britain and Channel 4 shows like Britain’s Most Extreme Weather. But his TV outing in the latest episode (Wednesday September 27) landed him in stormy weather with viewers.

Last night the duos continued their journey leaving Pinhão, in Portugal’s Douro Valley, to navigate 2,000km across Spain and France to the second checkpoint in Bonifacio, on the island of Corsica. Alex and his dad had some issues navigating water transport, and his “moaning” got too much for viewers.

What the viewers think

One social media user posted: “Alex is a man child #CelebrityRaceAcrossTheWorld.”

Judging his survival and navigation skills, a spectator added: “#CelebrityRaceAcrossTheWorld omg Alex is a negative glass half empty person.”

Feedback on Alex continued to pour in on X, the platform formerly known as Twitter.

“If moaning was an Olympic sport Alex would get gold #CelebrityRaceAcrossTheWorld,” a viewer added.

Another shared: “Alex is a right boring old misery #celebrityraceacrosstheworld.”

One fan shared a screenshot of Alex looking concerned while on the show and used it to mock the star: “Alex is sensing coming 4th lol #celebrityraceacrosstheworld.”

An onlooker jabbed: “As Roy Keane would say about @alexberesfordTV ‘what a baby, what. Big baby….baby’ #celebrityraceacrosstheworld.”

It didn’t put all viewers off. One fan got the travel bug: “#CelebrityRaceAcrossTheWorld is actually making me want to travel.”

“#CelebrityRaceAcrossTheWorld Loving the editing on this show and Alex!” a supporter chimed in.

When Alex initially signed onto the show, he said: “I thought it was a fantastic opportunity to do something that we’ve never done before. Neither of us have ever backpacked, so it’s a new experience.”

Alex Beresford asking locals while in Morocco for direction on BBC's Celebrity Race Across the World
Alex Beresford and his father struggled in the most recent episode, providing fans with plenty of comedy gold to talk about online (Credit: BBC)

More about the show

Other celebrities participating include McFly’s Harry Judd, All Saints band member Mel Blatt and British racing driver Billy Monger, each bringing a family member on board.

The contestants started in Marrakech, Morocco, the most north-western country in Africa, and over the six-part series, they should end their epic 24-country 10,000km journey in Tromsø, Norway, known as the Arctic capital, providing everything goes to plan.

The show airs weekly on Wednesdays at 9pm on BBC One until the grand final on October 25. It is also available on BBC iPlayer.

Read more: A deep dive into Celebrity Race Across the World star Alex Beresford’s bitter feud with ITV co-star

Who do you predict will win Celebrity Race Across the World? Leave us a comment on our Facebook page @EntertainmentDailyFix.





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Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

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” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

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Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

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Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

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Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

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Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

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