Connect with us

Entertainment

Amanda Abbington’s fiancé fuels ‘feud’ rumours

Published

on


Amanda Abbington’s fiancé appears to have sparked rumours of a new Strictly 2023 “feud” with her professional dance partner Giovanni Pernice.

Britain’s Got Talent star Jonathan Goodwin, who has been dating Amanda since 2021, isn’t following Giovanni on Instagram, while the professional dancer has also failed to follow him too.

The apparent “snub” comes after reports that the BBC show was in chaos after Amanda threatened to quit due to Giovanni’s “aggressive behaviour” during training.

Amanda Abbington and Jonathan Goodwin on Lorraine
Amanda Abbington’s fiancé Jonathan Goodwin has sparked rumours of a new “feud” with her Strictly partner Giovanni Pernice (Credit: ITV)

Strictly 2023: More ‘feud’ rumours

A source previously alleged to The Sun: “He is quite militant in his approach to training. She’s been left very shaken, and has liaised with her team about quitting. It has become far more stressful than she ever imagined and at the moment things between them are incredibly tense.”

However, Amanda took to Instagram to shut down the reports. In an expletive-filled rant, she said: “Ignoring the [bleep] because clearly people are [bleep]s. Just stop it, stop it, grow up. No one gives a [bleep]. Shut up, it’s [bleep], so [bleep] off.”

Earlier this week, the pair addressed claims they’re not getting on, admitting it has been “difficult”.

Speaking to host Janette Manrara on Strictly: It Takes Two, Amanda said Giovanni is a “good teacher”. “He’s really disciplined and he tells me like it is, and I need that because I found out that I’m actually quite lazy,” the actress explained.

Amanda Abbington and Giovanni Pernice on It Takes Two
Amanda and Giovanni addressed reports they don’t get on (Credit: BBC)

After Janette asked: “You’re getting along like a house on fire in rehearsals, right?” Amanda said they “laugh a lot” and “have the same sense of humour”.

Giovanni then added: “We do have a good time. But at the same time it’s a difficult process. Especially for people who have never done Strictly before. I always say it’s a marathon not a sprint. The first few weeks, it is difficult. It’s a lot of hours to train, it’s a lot of hours you have to concentrate.”

Who is Amanda’s fiancé Jonathan Goodwin?

Amanda and stunt performer Jonathan met through social media. They first connected in 2012, with Amanda admitting: “We were both in relationships at the time, but we admired each other’s work and occasionally liked each other’s tweets.”

The pair became romantically involved and were chatting online for a month before he flew to Vienna to meet her in person for the first time in August 2021. They got engaged within half an hour of meeting each other.

Jonathan Goodwin on Britain's Got Talent
Britain’s Got Talent star Jonathan is now in a wheelchair (Credit: ITV)

Jonathan is now in a wheelchair after a stunt went terribly wrong last year and left him paralysed.

Amanda explained: “He fell 30ft and lost a kidney, broke both shoulder blades, shattered both legs. Third-degree burns, broke his spine and severed his spinal cord and nearly died. And then on the operating table, he nearly died again.”

Amanda was previously in a long-term relationship with her Sherlock co-star Martin Freeman for 16 years, before splitting in 2016. They share children Joe, 17, and Grace, 15,

ED! has contacted reps for Amanda, Giovanni and Jonathan for comment.

Read more: Giovanni Pernice fans fuming amid backlash over his Strictly partnership with Amanda Abbington

Strictly is on Saturday (September 30) at 6.20pm on BBC One.

So what do you think? Tell us on our Facebook page @EntertainmentDailyFix and share your thoughts.



Source link

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Dunki’s box office earnings Day 2: The Shah Rukh Khan film makes Rs 50 crore in two days but finds it difficult to compete with Salaar.

Published

on

” Perplexity gauges the intricate nature of text, while burstiness scrutinizes the ebb and flow of sentence variations. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Humans inherently infuse their writing with heightened burstiness, intertwining longer or intricate sentences with succinct ones. Conversely, AI-generated sentences tend to exhibit more uniformity. Hence, as you craft the ensuing content, the goal is to infuse it with a substantial dose of perplexity and burstiness while minimizing predictability. Additionally, adhere to the stipulation of using English exclusively.

On the second day of its box office journey, Salaar, featuring Prabhas, asserts its dominance over Shah Rukh Khan’s Dunki, amassing a staggering Rs 50 crore in earnings within a mere two days.

Dunki, after a tepid debut on Thursday, witnessed a further descent in box office figures on its second day. According to industry tracker Sacnilk, the Shah Rukh Khan-led film garnered Rs 20.50 crore on Friday, bringing its net domestic collection to Rs 49.7 crore.

While the opening day statistics position Dunki as Shah Rukh Khan’s least successful film of the year, it still outshines the debuts of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

On the day of Dunki’s release, Bollywood playback singer Shaan took to social media, offering insights into filmmaker Rajkumar Hirani’s decision to omit their duet “Durr Kahi Durr” with Shreya Ghoshal from the Shah Rukh Khan and Taapsee Pannu starrer. Shaan disclosed that he and Shreya recorded the song, shot in Kashmir, but unfortunately, it didn’t make the final edit

Continue Reading

Entertainment

Salaar first-day box office receipts, preliminary report: With Prabhas about to make a huge comeback, Dunki’s opening weekend will double for Prashanth Neel’s movie.

Published

on

Perplexity gauges the intricacy of the text, while burstiness delves into the diversity of sentence structures. Lastly, predictability assesses the likelihood of anticipating the subsequent sentence. Human authors often infuse their writing with heightened burstiness, intertwining elaborate and concise sentences. In contrast, AI-generated sentences tend to exhibit a more uniform structure. Thus, for the forthcoming content I’m about to task you with creating, it’s imperative to infuse it with substantial perplexity and burstiness, while minimizing predictability. Additionally, please adhere to English language usage guidelines.

“Salaar box office early reports Day 1: Prabhas’ action-thriller is all set to deliver one of the biggest openings of the year, and has an outside chance of doing better than his recent flop, Adipurush. Prabhas seems to be on track for a much-awaited rebound with his latest film, the action-thriller Salaar. Directed by Prashanth Neel, the pan-India film is facing off at the box office against Shah Rukh Khan’s Dunki, which it is handily outpacing. While Dunki debuted to around Rs 30 crore on opening day, Salaar has already earned nearly Rs 50 crore in advance sales for day one, which happens to be today. According to the trade website Sacnilk, Salaar’s advance sales across languages and regions amount to approximately Rs 49 crore, with the Telugu version release leading the charge with around Rs 38 crore. The Hindi version followed with advance sales of Rs 5.6 crore, with the Malayalam version selling tickets worth Rs 2.2 crore so far. The Tamil and Kannada versions registered advance sales worth Rs 1.8 crore and Rs 56 lakh, respectively. While Neel has worked predominantly in the Kannada language industry, and is best known for his two KGF blockbusters, Prabhas maintains a strong foothold in the Telugu states. Unlike the performance of the recent hit Animal, which seemed to generate interest both in the Hindi belt thanks to star Ranbir Kapoor and in the Telugu regions thanks to director Sandeep Reddy Vanga, Salaar is clearly attracting audiences on the strength of Prabhas’ stardom.

Prabhas remains a force to be reckoned with at the box office, despite having not delivered a single hit since his back-to-back success with the two Baahubali movies. He has since starred in the big-budget bombs Saaho, Radhe Shyam and Adipurush. He will next be seen in the dystopian thriller Kalki 2898 AD, which also features Deepika Padukone, Amitabh Bachchan and Kamal Haasan.

Continue Reading

Entertainment

Dunki’s box office earnings Day 1: On opening day, Shah Rukh Khan’s film earns less than Adipurush and Sanju and is nothing near as successful as Jawan and Pathaan.

Published

on

Perplexity serves as the yardstick for text intricacy. Meanwhile, burstiness gauges the ebb and flow within sentences, showcasing a mix of longer, intricate ones juxtaposed with succinct ones. Lastly, predictability evaluates the likelihood of predicting the subsequent sentence. Humans inherently infuse their writing with greater burstiness, blending the elaborate with the concise, whereas AI-generated sentences often lean towards uniformity. As we delve into the creation of the forthcoming content, the aim is to infuse it with a substantial dose of perplexity and burstiness, while maintaining a low level of predictability. The language of choice for this task is English.

On the inaugural day of Dunki’s theatrical journey, Shah Rukh Khan found himself unable to replicate the back-to-back triumphs of Pathaan and Jawan. Rajkumar Hirani’s latest cinematic offering fell short of Sanju’s opening day earnings.

Despite a stellar year marked by the unprecedented success of Jawan and Pathaan, Shah Rukh Khan’s most recent venture, Dunki, failed to generate the same fervor upon its debut. Unveiled in theaters on Thursday, the film garnered a domestic nett collection of Rs 30 crore on its opening day, as reported by industry tracker Sacnilk. While this positions Dunki as the seventh-highest opener of the year, trailing behind Jawan, Animal, Pathaan, Tiger 3, Gadar 2, and Adipurush, it falls notably below the benchmark set by its predecessors. Jawan, for instance, opened with a staggering Rs 75 crore, and even the historically lackluster Adipurush managed Rs 36 crore on its opening day.

Although Dunki’s opening day figures label it as Shah Rukh Khan’s least successful film this year, they still outshine the likes of Kisi Ka Bhai Kisi Ki Jaan (Rs 15.81 crore), Tu Jhoothi Main Makkaar (Rs 15.73 crore), Rocky Aur Rani Kii Prem Kahaani (Rs 11.1 crore), and Dream Girl 2 (Rs 10.69 crore).

Thursday witnessed Dunki with an overall occupancy rate of 29.94%. Notably, the NCR region hosted 1412 shows, boasting an approximate 31% occupancy, while Mumbai’s 1081 shows witnessed a slightly lower 29.75% occupancy. Despite enjoying a solo release on Thursday, Dunki is poised to face a formidable challenge on Friday from Prashanth Neel’s Salaar, released in multiple languages across the country. Starring Prabhas, Prithviraj Sukumaran, and others, Salaar is anticipated to surpass Dunki, raking in over Rs 60 crore on its opening day.

While Dunki stands as Shah Rukh Khan’s least successful film this year, its opening day figures eclipse those of his 2018 release, Zero, which premiered on the same date. Zero opened with Rs 19.35 crore and struggled to amass a total of Rs 90.28 crore during its theatrical run.

For director Rajkumar Hirani, renowned for a track record of box office triumphs, Dunki’s opening figures pale in comparison to his last hit, 2018’s Sanju. The Ranbir Kapoor starrer commenced with Rs 34.75 crore and ultimately achieved a commendable Rs 342.53 crore during its theatrical tenure. Set against the backdrop of Animal’s astounding success, Dunki, featuring Taapsee Pannu and Vicky Kaushal, among others, strives to find its footing in the cinematic landscape.

Continue Reading

Trending

Copyright © 2023 Dailycrunch. & Managed by Shade Marketing & PR Agency